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Every cent received goes toward Ye Olde Inn's maintenance and allows us to continue providing the best resources for HeroQuest and Fantasy Gaming fans.





















but as you can see these are a bit wiggly 



Spiky wrote:Hi Mate,
In my view miniatures with more detail are easier to paint with miniatures with lots of flat surfaces. This is becauise all those raised edges etc help tell you where to put the highlights, and the model will have more overall contrast.
Everyone finds their own preferences when it comes to painting, so you need to keep practising to find out what works for you!![]()
In terms of preserving detail, here's my suggestions
1) Lighting - make sure you're painting in an area with lots of light. I have an angle lamp pointed over my shoulder when I paint - you need more than usual room lighting
2) Undercoat. I paint a black undercoat, because this then forms the shading in hard to reach areas later. What colour do you normally do? I wonder if a grey or white undercoat might make it easier to see the details. When I paint the undercoat I'll water the paint very slightly if it's GW colour or maybe a bit more if it's Vallejo. If it's too watery it won't cover properly, but if it's too thick you risk obscuring the details. Use the brush to soak up any pooling of paint. Otherwise, spray painting may be an option but I don't do this...
3) When painting some HQ figures recently, I've been checking out other painted examples, this helps me understand how other people have tackled any confusing or problem areas on a particular sculpt.
4) Base coat - neatness is needed here! The neater the base coat the better the model looks overall
5) I always use the GW wash to put a shade on the model after the base coat these days - I use GW's "Agrax Earthshade" and coat it liberally over the model. It's a dark brown, and seems to go well over most colours
6) Once the shade is dry, I re-apply the base colours again. this is the point where I thin it a bit too, so that I don't obscure all of the shade in some areas. I try to leave an edge of shade around an area, and use the thinned paint to blend between that and the more prominent areas. This is the point where I make attention to the detail.
7) Once the first highlight is done then I paint the raised edges in a lighter colour, for example a face would be lighter on the brow, nose , cheeks and chin. I might do this a couple of times with progressively lighter colours for faces but maybe only once for boots and cloth as these areas don't receive as much attention when people look at them.
Oops. I wrote a lot there, but I hope some of it might be useful.![]()
Cheers
Steven


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